New Myths and Amalgamated Monsters in the Painting of Lizzy Lunday

New Myths and Amalgamated Monsters in the Painting of Lizzy Lunday

In Lizzy Lunday’s new body of work, we encounter figures and compositions that lightly evoke a range of mythological and religious scenes from the history of art. We see glimmers of Caravaggio’s Entombment of Christ (1602) in the reality-show-worthy snafu of Lunday’s painting Slipping. The lithe, serpentine body of Lamia in Isobel Lilian Gloag’s The …

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