Palestinian Artist Fathi Ghaben Dies After Israel Blocks Travel for Treatment

Share This Post

Gazan artist Fathi Ghaben died on Sunday, February 25 from health complications after Israeli authorities refused to give him permission to leave the besieged region to access medical treatment. He was renowned for his oil paintings that paid homage to Palestinian culture and immortalized the struggle for liberation.

The self-taught painter was 77 years old and had been suffering from chest and lung issues that made it difficult for him to breathe, according to an announcement from the Palestinian Ministry of Culture. In the days leading up to his death, the artist had been receiving treatment at the Shuhada al-Aqsa Hospital in Deir al-Balah, according to a report by the Palestine News and Information Agency (WAFA). Palestinian journalist Basel Khalaf also reported on X that the artist’s home and studio, containing his works, had been destroyed by Israeli bombardments.

Ghaben was born in 1947 in the Palestinian village of Hiribya, a community that was forcibly depopulated and subsequently destroyed by Israeli forces during the 1948 Nakba. During this period of mass displacement, his family sought refuge in the Jabalia refugee camp, located north of Gaza City. After leaving school in the sixth grade, Ghaben began teaching himself to paint, notably preferring to use his fingers in lieu of brushes, according to a 1987 interview republished by the Alserkal Arts Foundation.

Artists and cultural organizations mourned Ghaben’s death by sharing images of his works on social media. (screenshot Maya Pontone/Hyperallergic via @Palacievements on X)

A pioneering figure in the post-Nakba visual arts community, Ghaben was celebrated for his colorful depictions of Palestinian folk life, natural landscapes, and the resistance to the Israeli occupation.

In 1984, Israeli forces arrested and sentenced Ghaben to prison for six months, allegedly after the artist painted the Palestinian flag, according to the Palestinian Museum in the Occupied West Bank. The Israeli court also confiscated seven of his artworks on the grounds that the paintings encouraged violence.

In a 2015 interview with Al-Monitor, Ghaben told the news outlet that his oil painting “Identity” (1982) specifically made him a target of Israeli authorities.

“It represents a group of people protesting at the Damascus Gate in Jerusalem, and in it, I anticipated the first intifada,” the artist said. “It was printed in colored ink on posters that were distributed in the West Bank and the Gaza Strip.”

Many Palestinian artists and cultural organizations have taken to social media to mourn the loss of Ghaben and remember his legacy through his paintings.

“He learned art by doing, and in the seventies and eighties of the last century, he became one of the most essential artists in Gaza through his expression in his paintings of nostalgia for Palestine before the Nakba and his drawings about identity and liberation,” Palestinian artist Sliman Mansour wrote in an Instagram post.

]

Source link

More To Explore

The Art World Pauses Its Summer Holiday for Aspen’s Jam-Packed ArtWeek
Art

The Art World Pauses Its Summer Holiday for Aspen’s Jam-Packed ArtWeek

Editor’s Note: This story originally appeared in On Balance, the ARTnews newsletter about the art market and beyond. Sign up here to receive it every Wednesday. Every summer, the art world is distilled into its purest, most potent form during Aspen ArtWeek, a full calendar of art fairs, dinners, parties, and gallery openings that this year

Read More »
Collaborations

Art Events Atlanta: The Intersection of Technology and Art

Atlanta is a vibrant hub of cultural activities, particularly known for its dynamic art scene. This thriving metropolis is a nexus where traditional art meets cutting-edge technology, creating a unique and captivating blend that attracts art enthusiasts from all over the world. In this article, we will delve into the

Read More »

Join our Community

ANASAEA is your leading partner connects you to the broadest possible audiences.

© 2024 All Rights Reserved by ANASAEA